If you liked Jules Horne’s earlier interview with Joanna Penn on writing for audio, you’ll be pleased to learn that an excerpt from her book is waiting for you.
Horne’s background in broadcasting, radio drama, writing plays, and performance poetry enables her to write audio-first, but she can articulate what, exactly, makes it audio-friendly so you’re able to revise accordingly.
Read her piece on attunement and openings in audiobooks, taken from her book Writing for Audiobooks: Audio-First for Flow and Impact, on Jane Friedman’s website.